Stephen Hartke

Title: Wulfstan at the Millenium
Commission: 1994
Completed: 1995
Instrumentation: ten players
Premiere Location: Paine Hall, Harvard University
Premiere Ensemble: Parnassus Ensemble
Notes:

Winner of the 2013 GRAMMY Award for Best Contemporary Classical Composition, Stephen Hartke is widely recognized as one of the leading composers of his generation, whose work has been hailed for both its singularity of voice and the inclusive breadth of its inspiration. Born in Orange, New Jersey, in 1952, Hartke grew up in Manhattan where he began his musical career as a professional boy chorister, performing with such organizations as the New York Pro Musica, the New York Philharmonic, the American Symphony Orchestra, and the Metropolitan Opera. Following studies at Yale, the University of Pennsylvania, and the University of California at Santa Barbara, interrupted by stints as advertising manager for several major music publishers, Hartke also taught in Brazil as Fulbright Professor at the Universidade de São Paulo. From 1987 to 2015, he taught at the Thornton School of Music at the University of Southern California, retiring as Distinguished Professor Emeritus. He now serves as Professor and Chair of Composition at Oberlin Conservatory.

Hartke’s output is extremely varied, from the medieval-inspired piano quartet, The King of the Sun, and Wulfstan at the Millennium, an abstract liturgy for ten instruments, the blues-inflected violin duo, Oh Them Rats Is Mean in My Kitchen, and the surreal trio, The Horse with the Lavender Eye, to the Biblical satire, Sons of Noah, for soprano, four flutes, four guitars and four bassoons, and his recent Symphony No. 4 for Organ, Orchestra, and Soprano, commissioned for the Los Angeles Philharmonic. He has composed concerti for renowned clarinetist, Richard Stoltzman, and violinist, Michele Makarski, and his collaboration with the internationally-celebrated Hilliard Ensemble has resulted in three substantial works, including his Symphony No. 3, commissioned by Lorin Maazel and the New York Philharmonic. Other major commissions have come from the Chamber Music Society of Lincoln Center, Carnegie Hall and the Harvard Musical Association, the IRIS Chamber Orchestra, the Kansas City Symphony, the Library of Congress, the Los Angeles Chamber Orchestra, the National Symphony Orchestra, the Orpheus Chamber Orchestra, the Barlow Endowment, Chamber Music America, the Fromm Foundation, the Institute for American Music at the Eastman School of Music, Meet The Composer, the National Endowment for the Arts, and the Natural History Museum of Los Angeles County, among others.