Katherine Soper

Katherine Soper

Title: Entre Les Calanques
Commission: 2008
Completed: 2009
Instrumentation: chamber orchestra
Premiere Location: Church of St. Ann & The Holy Trinity, New York
Premiere Ensemble: The Knights Ensemble
Notes:

Kate Soper is a Pulitzer Prize-nominated composer, performer, and writer. She has been hailed by the Boston Globe as “a composer of trenchant, sometimes discomfiting, power” and by the New Yorker for her “limpid, exacting vocalism, impetuous theatricality, and mastery of modernist style.” Soper has received awards from the Guggenheim Foundation, the American Academy of Arts and Letters (The Virgil Thomson and Goddard Lieberson awards and the Charles Ives Scholarship), the Koussevitzky Foundation, Chamber Music America, the Lili Boulanger Memorial Fund, the Music Theory Society of New York State, and ASCAP, and has been commissioned by ensembles including the Los Angeles Philharmonic, the American Composers Orchestra, and Yarn/Wire. She has received residencies and fellowships from the Civitella Raineri Foundation, the Radcliffe Institute for Advanced Study, the Camargo Foundation, the Macdowell Colony, Tanglewood, Royaumont, and Domaine Forget, among others.

Praised by the New York Times for her “lithe voice and riveting presence,” Soper performs frequently as a new music soprano. She has been featured as a composer/vocliast on the New York City-based MATA festival and Miller Theatre Composer Portraits series, the Chicago Symphony Orchestra’s MusicNOW series, and the LA Philharmonic’s Green Umbrella Series. As a non-fiction and creative writer, she has been published by McSweeney’s Quarterly, Theory and Practice, the Massachusetts Review, and the Journal of Interdisciplinary Voice Studies.

Soper is a co-director and performer for Wet Ink, a New York-based new music ensemble dedicated to seeking out adventurous music across aesthetic boundaries. She is the Iva Dee Hiatt Professor of Music at Smith College.

Commissions

Commission Date

Completion Date